• Waza series
• Analogue Chorus
• 4 Switches for mode selection
• Standard Mode delivers the original DC-2 sound
• SDD-320 mode with authentic SD-320 sound
• 20 Variations possible
• 2x Inputs
• 2x Outputs
• Dimensions: 129 x 73 x 39 mm
• Weight: 450 g
• Made in Japan

• Allows for latency-free playing of synthesizer sounds with the guitar
• Polyphonic sound generation
• 121 Sounds
• Can be connected via a conventional 6.3 mm jack cable
• Features leads, pads, organs, basses and more, as well as a variety of sound effects and rhythmic synthesizer patterns
• Controls: Type, Variation, Tone, Depth, Effect, Direct
• Switch: Guitar/Bass
• LED: Effect On
• Footswitch: Effect Bypass
• Input: 6.3 mm jack
• Output: 6.3 mm jack
• FX Loop Send & Return: 2 x 6.3 mm jack
• EXP/CTL input: 6.3 mm Stereo jack
• Power adapter connection: AC adapter, 5.5 x 2.1 mm, negative polarity inside
• Power consumption: 85 mA

• Looper
• High quality sound with 32 bit AD / DA and 32 bit floating point processing
• 13 Hours of recording time
• Multicoloured backlit LCD display for displaying the loop status and the processing parameters
• Reverse function
• 7 Different drum kits and 57 preset rhythms with A / B variations
• Advanced control via external foot switches, expression pedal or MIDI
• 99 Phrase memories
• Saving and loading WAV loops via USB
• Controls: Memory / Loop Level
• Push buttons: Memory, Setup, Rhythm On / Off and Rhythm Tempo
• Footswitch: Looping functions pedal with record, overdub, play, stop and undo / redo

• True stereo delay engine with independent controls in a compact size
• Very versatile with 5 delay types
• Up to 1800 ms stereo delay time with tap tempo
• 40 Second looper
• Controls: Level, Delay Types, Parameter, Time 1, Repeat 1, Time 2,
• Repeat 2
• Foot switch: Effect Bypass, Tap
• Status LED
• Display: OLED
• 2x Mono/Stereo input: 6.3 mm jack
• 2x Mono/Stereo output: 6.3 mm jack
• USB connection
• Mains adapter connection: Hollow plug socket 5.5 x 2.1 mm (negative polarity)
• Power consumption: 150 mA

The Afterneath sounds a lot like it looks!

Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.